We recently donated this painting, Day into Night, to the Provincetown Art Association and Museum, also know as PAAM. The painting is probably from the 1980's and used to hang to the left of the fireplace in Mom and Dad's living room in Harwich. As Dad had been a long-time member of PAAM and participated in several of their annual artist-member exhibits, I know he would be proud to be represented in this collection. The collection includes work by William Zorach, Wolf Kahn, Franz Kline, John Singer Sargent, William Merrit Chase and other luminaries of American art.
Saturday, March 2, 2013
Wednesday, March 7, 2012
Sunset on Cape Cod Bay
This rosy painting has no name, so I have given it one, Sunset on Cape Cod Bay. It's 38 x 48." Dad usually titled his paintings on the canvas where it wraps around the stretcher, but I couldn't find anything on this beauty except a label from an exhibition at the Rockport Art Association, unfortunately not dated. Even with its predominant rosy reds, this painting has a stillness that evokes the end of the day.
Monday, December 5, 2011
Before the Storm
This is an acrylic on canvas in Dad's favorite size, 30 x 40."
Labels:
abstract landscapes,
acrylic,
seascape,
Whidden
Tuesday, August 9, 2011
August brings memories of Rockport and Gloucester, where my earliest summers were spent, with Dad off every morning to the fishing harbor and back every afternoon with a new painting. In this one you can practically hear the foghorn. There are gulls crying, too, and the gentle lap of waves against the boats. I believe that's "Motif #1" in the background, which places this scene in Rockport harbor.
Thursday, February 24, 2011
Lost Painting
On February 4th a water pipe froze and burst in the studio, where Dad's watercolors are stored along with my paintings. The photo above shows two waterlogged and frozen rugs we tossed out to dry in the sun - and then it snowed again. One of Dad's watercolors, dating from World War II, was lost, so this image is a kind of memorial. We were lucky that it was only one painting, plus a beautiful print by my California friend, Dorothy Churchill-Johnson, and a number of (replaceable) picture mats that were damaged. The studio itself had had to be dried out, the walls punctured to release dampness, the sink cabinet below the burst pipe replaced, the walls rebuilt, etc. In all, an upsetting but not catastrophic event, well covered by insurance. Dad's painting of Missouri barns and fields, though, is gone for good.
Tuesday, August 17, 2010
Taos Trees
Dad had also been looking at Wolf Kahn's paintings at this time. You can see him trying out Khan's simplified compositional sense, and succeeding. The desire to try something new remained a hallmark of the Sorgman career right up to the end.
Labels:
abstract landscapes,
acrylic landscapes,
fall,
paintings,
Taos
Sunday, April 11, 2010
Watercolors
Dad belonged to the Rockport Art Association, so we often stopped in to their gallery on some business, or to attend an opening. I believe Dad was one of the more forward-thinking, or "modern" of the group. His bold use of watercolor stood out among the careful "realism" of most of the painters.
Here is a harbor scene. This painting hangs in Mom's apartment to remind us of those sunny summers in the '50's.
Labels:
Cape Ann,
early work,
Gloucester,
paintings,
watercolor
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